Ed Kline
Mr. Kline
AP Language and Composition
15 October 2019
Bibliography
1) A
Bibliography is a list of all texts consulted during the process of research. A
Works Cited is a list of all works quoted in the essay. Each entry in a
Bibliography or Works Cited is called a “citation.”
2) Since
a Bibliography stands alone, it needs the traditional MLA header on the first
page. The Works Cited page does not need a header, and it should be stapled
after the last page of your essay. Even if you have room to include your Works
Cited on your last page, the Works
Cited should be its own page. Yes, it’s a waste of paper. Sorry.
3) Works
Cited or Bibliography is centered at the top of the page. It is not
highlighted, underlined, or quoted.
4) Works
are listed alphabetically by the first word in the citation, which is usually
the author’s last name. Numbers are alphabetized before letters.
5) Work
is formatted with a hanging indent.
6) Works
Cited and Bibliography pages are double-spaced. Do not put an empty line /
extra return between entries.
7) Beware
of using citation makers. Be sure to check any citations you’ve imported from a
citation maker for accuracy.
8) For
sources from a database, omit the Location but include the Date of Access. From
sources from the general web, include both Location and Date of Access.
Generic Format:
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Last name, First name.
Last name, First name,
and First name Last name (for 2 authors).
Last name, First name, et
al. (for three or more)
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Standardize the
capitalization for all titles.
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If the source is the container (such as a novel,
play, or film), italicize and follow with a period.
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Websites do not require a
publisher.
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Use the most recent date
for books. Look for a byline or a copyright on websites.
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URL for websites; page
numbers for essays.
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Accessed on Day Mon.
Year.
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Required Information
for The Language of Composition:
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The
Language of Composition
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edited by Renee H. Shea,
Lawrence Scanlon, and Robin Dissin Aufses
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2nd ed.
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Bedford / St. Martin’s
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2013
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Oates,
Joyce Carol. “The Cruelest Sport.” The
Language of Composition, edited by Renee H. Shea, Lawrence Scanlon, and
Robin Dissin Aufses, 2nd ed., Bedford / St. Martin’s, 2013, pp.
622-31.
Required Information
for 50 Essays, 3rd Edition
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50 Essays:
A Portable Anthology
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edited by Samuel Cohen
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3rd ed.
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Bedford / St. Martin’s
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2011
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Required Information
for 50 Essays, 2nd Edition
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50 Essays:
A Portable Anthology
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edited by Samuel Cohen
|
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2nd ed.
|
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Bedford / St. Martin’s
|
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2007
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Required Information
for 50 Essays, 1st Edition
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50 Essays:
A Portable Anthology
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edited by Samuel Cohen
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1st ed.
|
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Bedford / St. Martin’s
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2004
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Required Information for
The Prentice Hall Reader:
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The
Prentice Hall Reader
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edited by George Miller
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8th ed.
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Pearson Education
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2007
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Required Information
for 100 Great Essays:
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100 Great
Essays
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edited by Robert DiYanni
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3rd ed.
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Pearson Longman
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2008
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Required Information
for Short Takes: Model Essays for Composition.
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Short
Takes: Model Essays for Composition
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edited by Elizabeth
Penfield
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Pearson Longman
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2007
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The dates in parentheses are the dates of the original
publication and are for your reference only. They should not appear in your citations.
Texts we’ve read so
far:
- “The New Colossus,” by Emma Lazarus
- “Emma Lazarus”
- “Trump’s Top Immigration Official Reworks the Words on the Statue of Liberty,” by Jason Silverstein
- “Laziness Does Not Exist,” by Devon Price
- One of the following TED Talks:
·
"What Fear Can Teach Us," by Karen Thompson (Per
1)
·
"How Stigma Shaped Modern Medicine," by Nathalia
Holt (Per 3)
·
"Why You Should Define Your Fears Instead of Your
Goals," by Tim Ferris (Per 4)
·
"Perfectionism Holds Us Back. Here's Why," by
Charly Haversat (Per 5)
- “McCarthyism Explained: US History Review,” by Keith Hughes
- “What is McCarthyism? And How did it Happen?” by Ellen Schrecker
From 50 Essays: A
Portable Anthology, 2nd edition:
- “Shooting an Elephant,” by George Orwell
- “Me Talk Pretty One Day,” by David Sedaris
From 50 Essays: A
Portable Anthology, 3rd edition:
- “Just Walk on By: Black Men and Public Space,” by Brent Staples
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